The Hall is anchored by architectural features at each compass point—the main entrance centered on the east side, with a fireplace and mantel directly opposite on the west side. Located at the north and south ends of the ellipse, foyers connect the Hall with the Living Room and Dining Room. Angled alcoves flanking the fireplace provide access to the West Portico. Additional doorways open to adjoining rooms and the Grand Staircase. The walls are articulated with green marble pilasters with white marble bases and capitals. The ceiling reveals the second floor with an elongated octagonal opening encircled by a massive double balustrade, allowing natural light to flood the Hall from the laylight and skylight above. Though formal in appearance, the Hall functioned both as a living hall, used for informal gatherings, as well as circulation space, typical of classical French design. The room was furnished with tall palms, animal skin rugs, and comfortable couches, allowing for informal use—as the butler recalled—where the Vanderbilts and their guests would sit down and fall asleep in front of a big fire. Furnishings of Note
Annular ClockThis substantial and very fine gilt and patinated bronze annular clock (revolving dial clock) was made by Henry Dasson in 1887. The case is in the form of the Three Graces wearing diaphanous classical drapery, supporting a patinated bronze globe upon a gilded swagged cloth. The globe is set with two rotating chapter rings—one marking the minutes in Arabic numerals, the other marking the hour in Roman numerals. The time is indicated from above by a gilt arrow held in the hand of a surmounting putto lying alongside a seated cupid holding his bow. Henri Dasson (1825-1896) was one of the most prominent furniture makers of the second half of the 19th century specializing in the Louis XVI style. Examples of his fine craftsmanship are located throughout the mansion. |
Last updated: June 2, 2023