The Bailly Homestead at Indiana Dunes National Park

Main house of the Bailly Homestead. Originally completed in 1835, it has been restored to reflect its appearance in about 1917.

NPS / Joseph Gruzalski

Joseph Bailly in Northwest Indiana

 

Drawing found in memory book belonging to Joseph and Marie's daughter Rose Bailly (1813-1891). It is believed to be the only known contemporary depiction of Joseph Bailly.

Porter County Museum

The Bailly Homestead was home to Joseph Bailly de Messein (1774-1835) and his wife Marie Le Fevre de la Vigne Bailly (1783-1866). This site, along with the nearby Bailly Cemetery, is listed as a National Historic Landmark. Arriving around 1824, the Bailly's established a trading post along the Little Calumet River near two major Indigenous trails, which contributed to Joseph’s success as a trader and, later, as a land speculator and innkeeper.

A French-Canadian fur trader, Bailly had previously worked in Michigan, primarily around Mackinac Island, where he married women of the Odawa Nation, including Marie, whom he met in Michigan. By the time the Bailly family moved to the region, demand for fur had declined, and Joseph began focusing on land speculation, trade goods, and operating an inn at this critical crossroads. This strategic location provided a unique meeting point for Indigenous communities and Euro-American settlers, facilitating commerce and cultural exchange in the wilderness of the Potawatomi Nation.

The Bailly Homestead was an important stopping point between Detroit and Fort Dearborn (present-day Chicago) along the early stagecoach road. Its presence signaled an early European-American settlement that shaped the future of the Calumet Region. Except for a post in White Pigeon, Michigan, Bailly’s trading post was one of few stops on the route, marking a pivotal location for missionaries and travelers moving through the region.

 

Illustrations depicting early views from the Bailly Homestead on ceramic tiles. These tiles are part of a set of 64 completed in 1906 using historic illustrations and photographs. Bailly granddaughter Frances Howe commissioned Margaret Lockwood of Chicago to make them as a memorial mantelpiece.

NPS

Legacy and Historical Significance

Joseph Bailly's relationships with local Indigenous communities helped him navigate the fur trade networks and conduct business across the Great Lakes. As U.S. policies aggressively pursued Indigenous land acquisition, Bailly’s connections and influence became entwined with treaty negotiations that ultimately forced the Potawatomi from their lands. This event, known as the Trail of Death, culminated in the Potawatomi’s removal from their ancestral lands by 1838. Bailly's role in these negotiations has led to conflicting views on his legacy: some see his actions as practical responses to the times, while others view them as a betrayal of the communities he had close ties with. This duality reflects broader historical tensions between expansionist policies and Indigenous rights during America’s frontier period.

After Joseph’s death, the Homestead continued to impact the region’s development. In 1843, management of the estate passed to Francis Howe, husband of Bailly’s daughter Rose. Howe’s sale of timber from Bailly’s land for railroad construction supported the area's growth. Later, Joel Wicker, husband of Bailly’s daughter Hortense, assumed control and recruited Swedish immigrants from Chicago to operate the sawmill and settle the land. This effort brought Swedish culture to northwestern Indiana, a legacy visible in the local architecture and cultural landscape.

 

Illustrations depicting early views from the Bailly Homestead on ceramic tiles. These tiles are part of a set of 64 completed in 1906 using historic illustrations and photographs. Bailly granddaughter Frances Howe commissioned Margaret Lockwood of Chicago to make them as a memorial mantelpiece.

NPS

Architectural and Cultural Heritage

The Bailly Homestead, declared a National Historic Landmark in 1962, is a rare surviving example of a trading post and early pioneer homestead in the Calumet Region. The site’s vernacular architecture includes a mix of log and brick structures, reflecting both French-Canadian and American influences. The family cemetery and the main house, with early 20th-century and late 19th-century architectural details, contribute to the site’s historical and cultural significance.

Today, the Homestead preserves this unique blend of history, where the lives of early settlers, Indigenous communities, and immigrant families intersected. It stands as a testament to the complex, often contradictory nature of frontier life in America, embodying both the promise of opportunity and the profound impacts of cultural change.

Main House

The main house was built of large hewn logs covered with weatherboards between 1834-1835. A major remodeling project took place between around 1896 to 1904 that added late Victorian / Eastlake style elements. This included the brick wall beneath the front porch, installed by Charles Nelson of the farmstead across the road from the Chellbergs. Charles was said to have had to tear it up three times and relay it before Frances Howe was satisfied.

Brick House

To the north of the main house is a red brick house. This two-story was built around 1875 to serve as a kitchen and studio for Rose Bailly Howe, Joseph’s daughter. It was originally connected to the back of the main house, but was moved away to its current site in 1904. That year, Caretaker Peter Larson and his family moved in. In the early 1910s, the Larson family moved to the nearby yellow Sears House on Howe Road. His daughter, Margaret, also worked at the homestead and lived to be very old. She was a valuable source of information about the Bailly Homestead in later years, providing oral history to the park beginning with interviews in the 1970s.

Chapel

To the south of the main house is a log building known as the Chapel. The chapel was originally two stories tall when first constructed in the 1820s or 30s. Both Joseph and Marie are said to have died in the building. It was transformed into a one story log chapel shortly after the death of Marie Bailly in 1869. Around 1900, the building was moved several yards to the north and a large external fireplace was replaced with an architectural recess known as an apse.

Two-Story Log House

Next to the Chapel is a tall log building called the Two story log house. It was built around 1900 from the salvaged logs of two older buildings to serve as what Frances Howe called a “landscape companion” to the Chapel. In 1904, it was described as a Coachman’s house by local historian and Swede Bill Nelson.

Storehouse

Across from the Chapel is the storehouse. The Storehouse is a small one story log building built for Joseph Bailly before his death in 1835, said to have been used as a storage building for Potawatomi when they made their annual winter trip to the Kankakee river. It was originally taller with less pitch to the roof, but was rebuilt to its current configuration sometime between 1890 and 1907. Frances Howe used it as a chicken house.

Citation: Paraphrased excerpts from the National Register Nomination, 1962; the Bailly Homestead Historic Structures Report, Denver Service Center, National Park Service, November 1972; and Bailly Homestead Cultural Landscape and Historic Structures Report, 2021.