Kenichi Maehara and the Volcano Photo Studio

A black and white photograph of Kenichi Maehara
Kenichi Maehara

Photograph courtesy of Ruth Ozeki

 
A building with Japanese-style architecture.
The Volcano Photo Studio

NPS Photo, HAVO 17707 Image Collection; Box 14, Folder 5; Image 0002

Kenichi Maehara was the official photographer and photo concessionaire for Hawai‘i Volcanoes National Park (then called Hawaii National Park) from 1930 to 1941. He immigrated to Hawai‘i from Hiroshima, Japan in 18961 and grew to become a renowned and respected local businessman whose photos of volcanic eruptions were published and distributed around the world.2

Maehara’s Volcano Photo Studio was his second studio on the Island of Hawaiʻi after his Camera Craft Shop in Hilo. The building was constructed with the approval of the National Park Service in 1930 and was unique for its Japanese style and design.3 The park studio offered visitors “everything photographic,”4 including colorized postcards and pictures of past volcanic eruptions for purchase. If it still stood today, the Volcano Photo Studio would be located near the current Kīlauea Visitor Center.

 
A volcano erupting on its flanks.
Dec. 27, 1935 Mauna Loa lava flow and U.S. military bombing

NPS Photo. HAVO 16337 Central Files Collection; Box 175, Folder 12

A few months after the Japanese military attack on Pearl Harbor on December 7, 1941, Kenichi Maehara was arrested and detained under suspicion of disloyalty to the United States. Evidence used against him included photos he had taken of the 1935 U.S. military bombing of a Mauna Loa lava flow. Ironically, these photos were commissioned by the U.S. government; Maehara sent one of his employees to capture the photos after receiving a request from Dr. Thomas Jaggar, director of the Hawaiian Volcano Observatory.

Kenichi Maehara was declared a security threat because of these photos of “a military classified matter” and for his participation and leadership in the local Japanese Association.5 He was sent to an internment camp in the state of New Mexico in May 1942. The Volcano Photo Studio was demolished by the national park while Maehara was interned. His wife supported the family during this time by colorizing and selling her husband’s black and white photos, including those he took of past volcanic eruptions. Kenichi Maehara remained interned until November 7, 1946.6 After his release, he reunited with his wife on Oʻahu. He would never return to the national park in an official capacity. The retired couple moved to Japan in 1960 where Maehara died a few years later.7

 
On the 15th anniversary celebration of his Camera Craft Shop in 1932, Kenichi Maehara told a reporter, “I am a happy man today because photographing is both my hobby and my lifework.”8 Ten years later, Maehara’s hobby and lifework were unjustly used against him, and his long and dignified career came to an unceremonious end. A wartime climate of fear and prejudice robbed Kenichi Maehara of the life and livelihood he strove to create in the national park. His life story and eruption photography give us a glimpse into our shared history and invite us to reflect on the powerful and destructive forces that are present in both nature and society.
 
A black and white group portrait. People standing in front of Volcano Photo Studio.
Kenichi Maehara (back and center) in front of his Volcano Photo Studio in the national park.

Photograph courtesy of Ruth Ozeki

 

Where was the Volcano Photo Studio located?

1940 Landscape Development Drawing showing location of building around the national park. 1940 Landscape Development Drawing showing location of building around the national park.

Left image
A historic 1940 landscape development drawing shows the location of Kenichi Maehara's photo studio before it was removed.
Credit: NPS

Right image
The red star shows the approximate location of Kenichi Maehara's photo studio and where it would have stood today.
Credit: 2023 Airbus/Google Maps

 
 

References:

  1. Kenichi Maehara; Sheet 3B, line 26, Enumeration District 117, South Hilo, Hawaii, Hawaii Territory; Fourteenth Census of the United States, 1920 (National Archives Microfilm Publication T625 roll 2033); Records of the Bureau of the Census, Record Group 29.

  1. “Camera,” Honolulu Star Bulletin. Jan. 18, 1941.

  1. “Maehara Named Photographer for Natl. Park,” Hilo Tribune Herald. Jun. 15, 1930.

  1. Volcano Photo Studio Co., Ltd. “Congratulations to George and Nick Lycurgus,” advertisement. Hilo Tribune Herald. Nov. 8, 1941.

  1. Hawaii, Civilian Internees: Maehara, Kenichi, alias Kenzo Maehara; 900756; Subject Files, 1942-1946; Records of the Office of the Provost Marshal General, 1920-1975, Record Group 389; National Archives at College Park, College Park, MD.

  1. Japanese Internee Card for Kenichi Maehara; 1092499; World War II Japanese Internee Cards, 1941-1947; General Records of the Department of Justice, 1790-2002, Record Group 60; National Archives at College Park, College Park, MD.

  1. Halving the Bones, directed by Ruth Ozeki (1995; New York, New York: Women Make Movies).

  1. "Maehara Celebrates 15th Anniversary of His Shop,” Hilo Tribune Herald. Aug. 14, 1932.

Last updated: May 30, 2023

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